Paul Lewis
RHAPSODY ON SCARBOROUGH FAIR for flute and harp
Goodmusic GM203
Level of Difficulty
Attributing a particular level of difficulty to an orchestral piece is awkward!
A piece may be easy for the strings but difficult for the brass; it may feature a tricky instrumental solo but the other parts may be relatively straight forward. A number of the arrangements listed are designed to simplify works to some extent but composers of many original works featured did not consider difficulty when writing them.
What our levels mean:
A = for players up to UK Grade 3
B = Grade 3 to 5
C = Grade 4 to 6
D = Grade 5 to 7
E = Grade 6 to 8
F = Grade 7 and over
Our gradings should be taken only as a rough guide.
To be sure if a piece is suitable for you, take a look at the score.
Listening in England to harpist Alessandra Ziveri's recording of Luigi Perracchio's Sonata on popular Italian folk songs, I decided as a gesture of international musical friendship to thank her for the enormous pleasure her recording gives me by sending her a work based on an English folk song. I had long harboured a desire to write a piece based on Scarborough Fair, a traditional song made world famous by Simon and Garfunkel in the 1960s, and Alessandra Ziveri's playing at last provided the inspiration and the impetus to fulfil this ambition.
The resulting Rhapsody is, in effect, a set of variations in romantic-pastoral style, an idyll evocative of the English countryside of a faraway age. The melody of Scarborough Fair, being in the archaic Dorian mode, a minor scale of sorts distinguished by the haunting sharpened sixth, i.e. D to D on the white notes of the piano, suggests mediaeval origins, and the lyrics, though bearing similarities to the 17th century Scottish ballad The Elfin Knight, are sometimes said to refer to the Great Plague of the 14th century, all of which accords well with my love of pre-18th century history. Paul Lewis
Duration 6 minutes
Audio Sample
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